CRW_4961Speaking of the rehearsal process and the nature of being part of a company, Simon Russell Beale commented: “I personally would be unable to develop a part by myself at home…I need the stimulation of other people.”

One of the reasons for Audition Doctor’s popularity is the need for professional actors and drama school applicants to have a professional sounding board when creating a character. Especially as the drama school audition process is protracted one, rehearsing monologues countless times at home is unsurprisingly not conducive to preserving the vitality and originality that perhaps you had at the beginning.

In an interview on The National Theatre’s website, Nick Hytner said: “Good actors can’t learn their lines unless they know why they’re saying them and you can take an infinite amount of time finding out why you have to say the lines that are written for you. The best acting gives the impression of being spontaneous. In order to be spontaneous every night, you have to feel like the words you say are the only response to the situation you find yourself in…Rehearsals are the process of discovering those reasons.”

Audition Doctor sessions are the closest thing drama school applicants will have to rehearsals and the final recalls that students achieve are testament to the uninhibited freedom of expression that Tilly instils each of her students with. This quality is also why Audition Doctor is increasingly regarded as a necessity for professional actors preparing for jobs.

Judi Dench spoke out this week against the financial constraints placed on actors without significant private funding to pay for conservatoire training. She mentioned: “Anyone who’s in the theatre gets letters countless times a week asking for help to get through drama school. You can do so much, but you can’t do an endless thing. It is very expensive.”

The Guardian commented: “She accepts that talented aspiring actors can make it without going to drama school. “But it’s a hard and rocky road,” she added.”

The collapse of the repertory system – which Dench describes as  “where you went to learn and make your mistakes and watch people who knew how to do it” – has meant that drama schools have become increasingly important for actors learning their craft.

Despite the increase in fees, the competition is no less fierce. The National Theatre website states: “Acting requires a wide range of skills, vocal, physical, imaginative, expressive, intellectual, intuitive, and work can demand different dialects, languages, accents, vocal control or body language, improvisation, observation and emulation, mime and often dancing or stage combat. A stage actor will often be required to research around a character or a period of history. In an ever changing world it is a continually evolving profession”. Students understand that the industry is a demanding one and that the skills taught at drama school are essential to survival and longevity as an artist. 

Speaking of her imminent return to the London stage, Emma Thompson said that she was suffering from nerves and nausea but that she was adhering to the advice of the late choreographer Agnes de Mille: “You have to keep flinging yourself, leaping into the dark.” Whether you are preparing for a professional role or a drama school audition, Audition Doctor prepares you for that leap and makes it far less terrifying.